CREDITS
Vocals: Valerie Bailey
Guitars: Michael Landau
Bass: Leland Sklar
Drums: Ray Brinker
Drum Programming: Barry Coffing
Percussion: Jon Stanka
Engineers: Bobby Ginsburg, Woody Woodruff
Barry Coffing & Jon Stanka
Produced by: Barry Coffing
Mixed by: Dale Penner
Recorded at: Track Record Studios, Hollywood, CA. USA
Mixed at: Hipposonic Studios, Vancouver, BC. Canada
Mastered by: Ken Love
Mastered at: Five Points Mastering, Nashville, TN. USA
Executive Producer: Jim Stanka
Photography: Ron Fontenot
Graphic Design: Megan Coffing & Ron Fontenot
Hair: Gayla Belay
Makeup: Marc Havey
Video Shot by: Shawn Thompson
Edited by: Jon Stanka
I’ll tip my hat
To the new constitution
Take a bow for thenew revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again, no, no
I'll move myself and my family aside
If we happen to be left half-alive
I'll get all my papers and smile at the sky
For I know that the hypnotized never lie
Do you? Yeah.
There's nothing in the street
Looks any different to me
And the slogans are effaced, by-the-bye
And the parting on the left
Is now parting on the right
And the beards have all grown longer overnight
I’ll tip my hat To the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again, no, no
Meet the new boss Same as the old boss
Written by: Peter Townshend
Won’t Get Fooled Again lyrics ©Abkco Music Inc., Spirit Music Group
I'll tip my hat
to the new constitution
Take a bow for the new revolution.
Pick up my guitar and play
Smile and grin at the change
all around me
Just like yesterday
A change, it had to come
We knew it all along
We were liberated from the fold,
that's all.
And the world looks just the same
And history ain't changed
'Cause the banners, they all flown in the last war
We'll be fighting in the street, with our children at our feet, and the morals that they worship will be gone.
And the men who spurred us on, sit in judgement of all wrong,
They decide and the shotgun sings the song.
WHY WON'T GET
FOOLED AGAIN
It’s another unusual but exciting choice for a re-imagining that ties in perfectly with my “never cover a woman” philosophy. Pete Townshend wrote this classic for The Who as a critique of revolution and power, and how things in the sociopolitical realm are promised but nothing ever changes.
Just as it was written in the politically charged time of the Vietnam War, we’re in another politically charged era now. The song is just as relevant now and I thought it would make a great closer for the project.
We tracked a total of six songs with the band in a single day, and I thought Ray Brinker, who trying to channel the relentless energy of the late Keith Moon on drums, was going to pass out! The original song features one of the greatest rock screams of all time and I’m proud to say I delivered it my way and held my own against the great Roger Daltrey. The song is nonstop energy and movement from the beginning. It’s super charged, like fighting in the street, an aggressive song about knowing what things won’t change – a sobering message we can certainly relate to now. Like Mark Twain once said, “History doesn’t repeat itself but it often rhymes.”
- Interview by Jonathon Widren